Fluxus Heidelberg Center BLOG

This BLOG is maintained by the FLUXUS HEIDELBERG CENTER. See: WWW.FLUXUSHEIDELBERG.ORG.

This FHC BLOG will contain an overview of all news we find and get in connection to Fluxus. Articles, publications, events, celebrations, Biographies, you name it. Every month the collection of the blog will be published on the FHC website as a digital archive

Monday, March 08, 2010

THE LAST VISPO

COMMON GROUND ART GALLERY
in conjunction with
RAMPIKE Magazine
Very Proudly Present

T H E L A S T V I S P O
: selections from the upcoming anthology
edited by Crag Hill and Nico Vassilakis
(This selection compiled by Volker Nix)

Opening reception: Saturday, March 13th, 2010, Windsor, Ontario
Exhibition runs until April 10th, 2010

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Way back in 2008, American writers Crag Hill and Nico Vassilakis put out a world wide call for submissions for an upcoming anthology of visual poetry. Slowly, in the two intervening years, a 300 page book of such work has been brought together which covers the decade between 1998 and 2008, and features well over 125 different seasoned and emerging writer/artists from around the world. Cut to March of 2010; while these intrepid editors are busily shopping this gargantuan (and very colourful) manuscript around to an array of would-be publishers, Common Ground Art Gallery of Windsor Ontario has jumped at the opportunity to be the first gallery in Canada to exhibit a sneak peak at what these editors are hoping to see published sometime later this year.


Haven't the foggiest notion as to what The Last Vispo is? Should you find yourself in the area, there's no quicker way to answer that question for yourself by attending the reception we are holding in honour of the many artists, writers and editors who have all profoundly contributed to the curious phenomenon of visual poetry; a veritable black sheep on the landscape of our language arts. So come on down to Common Ground the evening of Saturday March 13th beginning at 7 pm and see for yourself what all the fuss is about.


The following artists from The Last Vispo have works currently on display in the gallery:


mIEKAL AND (U.S.A.), Hartmut Andryczuk (Germany), Petra Backonja (U.S.A.), Michael Basinski (U.S.A.), Guy R. Beining (U.S.A.), Marc Bell & Jason McLean (Canada), John M. Bennett (U.S.A.), Carla Bertola (Italy), Jaap Blonk (Holland), Chrisitan Bok (Canada), Daniel f. Bradley (Canada), Nancy Burr (U.S.A.), Mike Cannell (England), David Baptiste Chirot (U.S.A.), Jo Cook (Canada), Judith Copithorne (Canada), Klaus Peter Dencker (Germany), Brian Dettmer (U.S.A.), Fabio Doctorovich (Argentina), Maria Damon (U.S.A.), Amanda Earl (Canada), Shayne Ehman (Canada), Greg Evason (Canada), Oded Ezer (Israel), Luc Firens (Belgium), Angela Genusa (U.S.A.), Jesse Glass (Japan), Robert Grenier (U.S.A.), Bob Grumman (U.S.A.), Scott Helmes (U.S.A.), Geof Huth (U.S.A.), Serkan Isin (Turkey), Michael Jacobson (U.S.A.), Karl Jirgens (Canada), Alex Jorgensen (U.S.A.), Chris Joseph (England), Joe Keppler (U.S.A.), Dirk Krecker (Germany), Edward Kuleman (Russia), Jim Leftwich (U.S.A.), Troy Lloyd (U.S.A.), Carlos M. Luis (U.S.A.), Jeurgen O. Olbrich (Germany), Sonja Ahlers (Canada), Donato Mancini (Canada), Cy Machina (Canada), Keiichi Nakamura (Japan), Marko Niemi (Finland), Rea Nikonova (Russia), Christopher Olsen (Canada), Clemente Padin (Uruguay), Michael Peters (U.S.A.), Nick Piombino (U.S.A.), Ross Priddle (Canada), e.g. vajda (U.S.A.), Marilyn Rosenberg (U.S.A.), Jenny Sampirisi (Canada), Suzan Sari (Turkey), Serge Segay (Russia), Douglas Spangle (U.S.A.), Litsa Spathi (Greece), Pete Spence (Australia), Matina Stamatakis (U.S.A.), Miroljub Todorovic (Serbia), Cecil Touchon (U.S.A.), Aysegul Tozeren (Turkey), Stephen Vincent (U.S.A.), Reid Wood (U.S.A.) and James Yeary (U.S.A.). -- ENOUGH ! ENOUGH !

But wait, that's not all !

Karl Jirgens, editor of Rampike Magazine (since 1979!) and former Head of the English Department at the University of Windsor currently on sabbatical, (and ALSO one of two local Windsorites whose work will be featured in this upcoming anthology), had the fortuitous good fortune to choose this exact time to bring out his latest issue of RAMPIKE Magazine; an issue coincidentally devoted entirely to the musings of visual poetry, at that! So, in conjunction with this special exhibition featuring selections from The Last Vispo, Karl has very generously offered to bring a stack of the newly minted visual poetry issue of RAMPIKE to the reception to be given away free to all interested parties who attend this reception. So if you don't know what Vispo is, this exhibition of selections from The Last Vispo coupled with the latest issue of Rampike Magazine will certainly go a long way in furnishing a very concrete example for your edification, amusement and enjoyment !

Furthermore, (if poetry is not your thing and you're more easily given over to pursuits of the boogie woogie kind) local artist/musican KERO, featured on the cover of this issue of RAMPIKE, will provide his unique post-electronic musical stylings at some point during the course of the evening.

This, as with all Common Ground events, is FREE and OPEN to the public.

COMMON GROUND
3277 Sandwich St.
Windsor, Ontario
N9C 1A9
CANADA

519-252-6380

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Saturday, March 14, 2009

A new book of visual poetry by Litsa Spathi






LITSA SPATHI (GERMANY)
"Oxid"
2009, 40 pages, 15 euro / 20 US $ / 13 UK Sterling

A new book of visual poetry by Litsa Spathi from the Fluxus Heidelberg Center,
the 27th in our collection "C'est mon dada"
http://www.redfoxpress.com/dada-spathi.html
order by email at info@redfoxpress.com

Since this month the complete collection is also available at MoMa, New York and ICA, London

The name of the collection "c'est mon dada" is a french saying
meaning it's my favourite thing, it's my hobby.
Dada in french children language means horse.
That's apparently where the dadaists got their name from.


This book collection is available in following bookshops
>> Printed Matter, New York
>> MoMa, New York
>> Boekie Woekie, Amsterdam
>> ICA, London
>> Bookartbookshop, London
>> Regard Moderne, Paris
>> Librairie le Lievre de Mars, Marseille
>> Kenny's Bookshop - US export, Galway
>> Gibbon's Bookshop, Westport
>> On Sundays, Tokyo
>> Post poetics, Seoul

REDFOXPRESS
Francis Van Maele
Dugort, Achill Island, County Mayo, Ireland

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Sunday, June 22, 2008

New Trilogy by Litsa Spathi




Litsa Spathi published a new set of three books today. The complete set is part of the Performance with title "Balla Balla". The performance itself resulted in a collection of visual poetry that is published as part of the performance.

The books are available for others as well at the link: http://stores.lulu.com/fluxusheidelberg.

A colour-version is to be published as well.

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Sunday, June 15, 2008

Rail Track - Version 2 - Book by Litsa Spathi



Litsa's new book is available in two variations. This is the second version with a special designed cover that has a front and back side that are mirrorviews.
This book available at LuLu too:

Printed: 77 pages, 6" x 9", perfect binding, black and white interior ink
Description:

Rail Track - Variation 2 has the same content as the first edition. It contains Visual Poetry and Fluxus Performance by Litsa Spathi. A Journey from Breda to Munich that is presented in a visual way. Only the cover is different.

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Saturday, June 14, 2008

Rail Track


Litsa Spathi published her book "Rail Track" - Visual Poetry and Fluxus Performance, which is now available at LuLu through the folowing link:

http://www.lulu.com/content/2714161

A Journey from Breda to Munich described in a visual way.

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Wednesday, June 04, 2008

Fluxus AAAA


"Fluxus AAAA": visual & Fluxus Poem by Litsa Spathi

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Fluxus Oxid



"OXID":Visual @fluxus poem by Litsa Spathi

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Sunday, June 01, 2008

Help Needed


I need some help with definitions from you. I call the above a Fluxus Poem or Visual Poem.

Someone told me though that it is Mail-Art. The question is simple: "What would YOU call this?". Please leave a comment and an explenation.

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Sunday, December 09, 2007

Fluxus King or Fluxus Queen?


Fluxus Artist of the Year 2007?
Who´s King/Queen Fluxus of the year ? For voting please insert picture.

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Friday, December 07, 2007

What is the difference between Fluxussoldier # 11 and # 12

Fluxussoldier # 12

Fluxussoldier # 11

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Thursday, November 15, 2007

Wireless support commmunication with lightning - visual poem by Litsa Spathi

Friday, October 26, 2007

X-ray score for post poetic poems


Score für x-
a.Warte ab bis du unerträgliche Zahnschmerzen hast
b.Gehe dann zum Radiologen und lass deinen Kiefer röntgen
c.Nimm die Aufnahme mit nach Hause scan sie und publiziere sie als post poetic score bei Fluxlist Europe

Werbe strategie
Zeitersparnis, brilliante Röntgenaufnahmen und beachtliche Reduzierung der Strahlenbelastung sind die herausragenden Vorteile des speziell für die Zahnmedizin entwickelten Fluxlist Europe x-ray-Sensors for poems.
Durch Intergration in die Praxis-EDV ermöglicht der Fluxlist Europe x-ray-poem-Sensor eine erhebliche Vereinfachung Ihrer Arbeitsabläufe und Creativity.- Vorteile für Sie und Ihre Patienten:

X-Ray score
1.Reduzierung der Strahlenbelastung
2.Entlastung der Umwelt durch Wegfall von Chemikalien zur Filmentwicklung
3.Reduzierung des Zeitaufwandes
4.Quer- und Hochformat-Aufnahmen
5.BEMA-gerechte Aufnahmen
6.Imagegewinn durch den Einsatz von High-Tech
7.Befunde und Maßnahmen können dem Patienten am Bildschirm besser erläutert werden

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VISUAL POETRY

W H A T I S V I S U A L P O E T R Y ? Visual poetry stresses the look of the poem on the page. It can include text only, text and imagery of all sorts, or imagery only, but is intended to be viewed primarily within a literary arts context. To me, it points out a continuum of expression between the literary and visual arts: each use vision and process visual information in a different way. The eye takes in, and the brain processes, visual imagery in no certain order, so the image, while taken in piece by piece, forms more of a gestalt in the perceiving mind, which then forms associations and chains of meaning from that gestalt. The situation is very different when reading a text. Reading is a more linear, step by step process, and the range of meanings much more precise, and thus more circumscribed (while still being vast of course), than is the case for visual imagery. Visual poetry accentuates the flicker of the mind moving between these two modes of receiving and processing visual information. This flickering juxtaposition opens out opportunities for works to evoke a greater range of associations and meanings in the experience of their reader/viewers.

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Thursday, October 25, 2007

Nobody's global face in black & white versio - visual poem by Litsa Spathi

Wednesday, October 24, 2007

FROZEN ASSETS - visual poem by Litsa Spathi

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Tuesday, October 02, 2007

Stiftung Fluxustest Testsieger: Pink Lady - visual persiflage

Sunday, September 30, 2007

Fluxus river test area for under water glasses for Nobody & everybody who wants to see the sea- visual poem by Litsa Spathi

 

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