Nam June Paik - Art Center Prize 2010

Nam June Paik Art Center Prize 2010
Prize winner: Bruno Latour

Ceremony: November 26th 4:30 p.m.
Forum: November 27th 2:00 p.m.

Nam June Paik Art Center
85 Sanggal-dong, Giheung-gu,
Yongin-si, Gyeonggi-do
446-905
Republic of Korea
T: + 82 (0) 31 201 8543
F: + 82 (0) 31 201 8515
chaeyoung@njpartcenter.kr

The Nam June Paik Art Center Prize, an international yearly award, announces its 2010 solo-recipient, Bruno Latour. To respect Nam June Paik's philosophy and creativity, the international jury and Nam June Paik Art Center Advisory Council reexamine Paik's theoretical dimensions that hold urgent recognition and support. Based on the idea, the Prize opened its doors to internationally renowned researchers, thinkers and organizers of Paik studies and the jury selected the recipient among 8 strong nominees from around the world.

For the international jury panel the members were: Director of Le Consortium Xavier Douroux; Professor of Univ. Paris 1 Anne-Marie Duguet; Director of Kunsthalle Bremen Wulf Herzogenrath; former Director of Gwangju Biennale Wan-kyung Sung. The jury selected a person who will provide a new theoretical framework of Nam June Paik.

Some excerpts from the discussion: "[The recipient] has to be a high mediator to connect Paik's thinking and action to the actual interests of intellectual and perceptive world," said Xavier Douroux. According to Anne-Marie Duguet, "I find Latour's thought very much in tune with Paik's one. ... None has the radical and deep thinking of Latour." "We are honored to give this year's Prize to Prof. Bruno Latour, and we are sure that master minds of both Latour and Paik will meet together to open up an unforeseen dimension in the future study of Paik. This will be a historical and strong statement," said Nam June Paik Art Center Director Youngchul Lee.

The selected winner of 2010 Nam June Paik Art Center Prize, Bruno Latour (b. 1947), professor of Science Po Paris and Vice President of Research for the same institution, has been honored for being the forefront thinker who opened new ways of thinking with his theories bridging fields of philosophy, techno-science, scientific visualization, anthropology and politics. He is the author of numerous books dealing with scientific practice and political philosophy of nature, including We Have Never Been Modern, dealing with his theory of "Symmetric Anthropology," "Politics of Nature" and "Reassembling the Social." He co-curated two important exhibitions at ZKM, Karlsruhe, titled Iconoclash (2002) and Making Things Public (2005). These exhibitions are now regarded as a revolutionary way of linking art and science and they have resulted in the recent creation of a new program in ''political arts'' in Sciences Po.

The Nam June Paik Art Center Prize will be endowed to the recipient on November 26th by the Governor of Gyeonggi Province at Nam June Paik Art Center. The Award ceremony comprises an exhibition composed of Paik's major works specially supported by Shuya Abe, a Japanese technician who collaborated with Paik in creating Paik-Abe Video Synthesizer (1969).

On November 27th, the day after the ceremony, Bruno Latour will give a public lecture titled 'The Time of Critique, The Time of Composition-Art and Politics Today.'

The Nam June Paik Art Center is supported by Gyeonggi Cultural Foundation and Gyeonggi Province.

Nam June Paik Art Center
85 Sanggal-dong, Giheung-gu,
Yongin-si, Gyeonggi-do

446-905
Republic of Korea

T: + 82 (0) 31 201 8554

F: + 82 (0) 31 201 8530

chaeyoung@njpartcenter.kr

Nam June Paik Art Center

TV Candle ,1975(1999) ,Nam June Paik ,Nam June Paik Art Center
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January 27, 2009
Nam June Paik Art CenterNOW JUMP Festival
The Gift of Nam June Paik 1 Seminar
February 4 and 5, 2009

85 Sanggal-dong, Giheung-gu,
Yongin-si, Gyeonggi-do
446-905
Republic of Korea

http://www.njpartcenter.kr

The Nam June Paik Art Center proudly announces the launch of its lecture and discussions series with The Gift of Nam June Paik 1, a seminar commemorating the closing of its inaugural festival NOW JUMP.

The Gift of Nam June Paik 1 gathers specialists from various fields of research to celebrate Nam June Paik's creativity and expand discussions on his work. As a concluding journey of the NOW JUMP Festival, the seminar ambitions to sketch a landscape where neglected aspects of Paik's practice can be considered and supported. Reactivating and actualizing the nomadic characteristics of Paik's life, the different speakers' presentations and areas of expertise echo the boundless terrain of Paik's work suggesting that being a pioneer of video art was only a single station within a much larger journey. What topics and perspectives can be imagined within contemporary social and political contexts when considering Paik's role from these extended perspectives?

The first two sessions of the seminar are intended to promote shifts in presumptions and activate discourses on Paik that extend beyond established presuppositions. In the morning of February 4, Bazon Brock addresses the socio-political contexts of post war Germany in relation to artistic practice, situating the historical meeting of Paik and television within a larger framework. Midori Yamamura follows these arguments with a presentation on the new ontology that threaded through Japan, the United States and Europe in the period following World War II in relation to Paik and the formative Fluxus movement.

In the afternoon, Kim Suki examines the cultural context of Korea under Japanese colonization during the 1930s and 1940s and Mary Bauermeister offers testimonial of her close relationship with Paik during his stay in Germany. Further enhancing this focus on Paik's early years and the transgressions in his way of thinking that place him in between East and West, Kim Jin Sok's delves into the philosophical frameworks of the communities and societies influential to Paik.

On February 5, the main themes are performativity and the notion of time, and nomadism. Lee Young Chul shares his exhibition-making experience and the dialogue it established with Paik's philosophy for the creation of the NOW JUMP Festival. Hannah Higgins discusses experience and Fluxus, while architect/poet Haam Seong-Ho considers the notion of time and experience in Zen Buddhism.

The concluding session concentrates on nomadism and how Paik continuously jumped from place to place, both geographically and chronologically. The notion of nomadic life is examined through anthropological, socio-political and futurological references by Yi-Jinkyung and Cho Hyun-il. Their presentations aim to imagine the potential social structures, territories, and political terrains Paik's practice may inspire.

Speakers include, Bazon Brock (Professor of Aesthetics and Communication Design at Wupperthal University), Midori Yamamura (Art history PhD candidate at the CUNY Graduate Center), Kim Suki (director of Hyunsil Munwha Publishers and lecturer at the Korea National University of Arts), Mary Bauermeister (artist renowned for hosting avant-garde gatherings in 1960s Cologne), Kim Jin-Sok (Professor of Humanities at Inha University), Lee Young Chul (Director of Nam June Paik Art Center), Hannah Higgins (Associate Professor of Art History at the University of Illinois Chicago), Haam Seong-Ho (poet/architect), Yi-Jinkyung (Professor of Humanities at Seoul National University of Technology). Cho Hyun-il (author of 1000).

The Nam June Paik Art Center, supported by Gyeonggi Cultural Foundation and Gyeonggi province.

Nam June Paik Art Center
85 Sanggal-dong, Giheung-gu,
Yongin-si, Gyeonggi-do
446-905
Republic of Korea
T: + 82 (0) 31 201 8543
F: + 82 (0) 31 201 8515
c.pestana@njpartcenter.kr